Multi Retailer The Apu Trilogy (4K Ultra HD + Blu-ray) (Criterion Collection) [USA]

[ShadowWarrior]

Release Date: January 2, 2024

Retail Price: $99.96

Purchase Link: The Criterion Collection

 

 

 

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• Spine #782

FILMS IN THIS SET

• 

  Pather Panchali

   

  1955

  With the release in 1955 of Satyajit Ray’s debut, Pather Panchali, an eloquent and important new cinematic voice made itself heard all over the world. A depiction of rural Bengali life in a style inspired by Italian neorealism, this naturalistic but poetic evocation of a number of years in the life of a family introduces us to both little Apu and, just as essentially, the women who will help shape him: his independent older sister, Durga; his harried mother, Sarbajaya, who, with her husband away, must hold the family together; and his kindly and mischievous elderly “auntie,” Indir—vivid, multifaceted characters all. With resplendent photography informed by its young protagonist’s perpetual sense of discovery, Pather Panchali, which won an award for Best Human Document at the Cannes Film Festival, is an immersive cinematic experience and a film of elemental power.

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  Aparajito

   

  1956

  Satyajit Ray had not planned to make a sequel to Pather Panchali, but after the film’s international success, he decided to continue Apu’s narrative. Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu.

• 

  Apur Sansar

   

  1959

  By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

SPECIAL FEATURES

• 4K digital restorations of all three films, undertaken in collaboration with the Academy Film Archive at the Academy of Motion Picture Arts and Sciences and L’Immagine Ritrovata, with uncompressed monaural soundtracks on the 4K UHD and Blu-ray editions
• In the 4K UHD edition: Three 4K UHD discs of the films and three Blu-rays with the films and special features
• Audio recordings from 1958 of director Satyajit Ray reading his essay “A Long Time on the Little Road” and in conversation with film historian Gideon Bachmann
• Interviews with actors Soumitra Chatterjee, Shampa Srivastava, and Sharmila Tagore; camera assistant Soumendu Roy; and film writer Ujjal Chakraborty
• Making “The Apu Trilogy”: Satyajit Ray’s Epic Debut, a video essay by Ray biographer Andrew Robinson
• “The Apu Trilogy”: A Closer Look, a program featuring filmmaker, producer, and teacher Mamoun Hassan
• Excerpts from the 2003 documentary The Song of the Little Road, featuring composer Ravi Shankar
• The Creative Person: “Satyajit Ray,” a 1967 documentary short by James Beveridge, featuring interviews with Ray, several of his actors, members of his creative team, and film critic Chidananda Das Gupta
• Footage of Ray receiving an honorary Oscar in 1992
• Programs on the restorations by filmmaker Kogonada
• PLUS: Essays by critics Terrence Rafferty and Girish Shambu, as well as a selection of Ray’s storyboards for Pather Panchali
  
  Cover by F. Ron Miller